Call for Bands! Showcase 2017

Rendezvous in the Park is currently accepting applications for regional musical acts for our Showcase Event on Saturday, April 22, 2017, at the Kenworthy Theatre in downtown, Moscow, Idaho.

Showcase Poster Call for Bands

Six bands will be selected to compete. At the event, three of the Showcase bands will be chosen as opening acts for the Festival – July 13-15, 2017! (Two are chosen by popular vote, and one will be selected by the Rendezvous Board.)

If you would like to submit your band for consideration, please fill out the form below. The deadline for submissions is March 10, 2017. Questions? Please email info@rendezvousinthepark.com.

 

Band Name (required)

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Announcing Friday Night Headliner – JJ Grey and Mofro!

All the t’s are crossed and the i’s are dotted! We are thrilled to announce our Friday night headliner: JJ Grey & Mofro!

Here is some information about the band and their latest album:


From the days of playing greasy local juke joints to headlining major festivals, JJ Grey remains an unfettered, blissful performer, singing with a blue-collared spirit over the bone-deep grooves of his compositions. His presence before an audience is something startling and immediate, at times a funk rave-up, other times a sort of mass-absolution for the mortal weaknesses that make him and his audience human. When you see JJ Grey and his band Mofro live—and you truly, absolutely must—the man is fearless.

Onstage, Grey delivers his songs with compassion and a relentless honesty, but perhaps not until Ol’ Glory has a studio record captured the fierceness and intimacy that defines a Grey live performance. “I wanted that crucial lived-in feel,” Grey says of Ol’ Glory, and here he hits his mark. On the new album, Grey and his current Mofro lineup offer grace and groove in equal measure, with an easygoing quality to the production that makes those beautiful muscular drum-breaks sound as though the band has set up in your living room.

Despite a redoubtable stage presence, Grey does get performance anxiety—specifically, when he’s suspended 50 feet above the soil of his pecan grove, clearing moss from the upper trees.

“The tops of the trees are even worse,” he laughs, “say closer to 70, maybe even 80 feet. I’m not phobic about heights, but I don’t think anyone’s crazy about getting up in a bucket and swinging all around. I wanted to fertilize this year but didn’t get a chance. This February I will, about two tons—to feed the trees.”

When he isn’t touring, Grey exerts his prodigious energies on the family land, a former chicken-farm that was run by his maternal grandmother and grandfather. The farm boasts a recording studio, a warehouse that doubles as Grey’s gym, an open-air barn, and of course those 50-odd pecan trees that occasionally require Grey to go airborne with his sprayer.

For devoted listeners, there is something fitting, even affirmative in Grey’s commitment to the land of his north Florida home. The farms and eddying swamps of his youth are as much a part of Grey’s music as the Louisiana swamp-blues tradition, or the singer’s collection of old Stax records.

As a boy, Grey was drawn to country-rockers, including Jerry Reed, and to Otis Redding and the other luminaries of Memphis soul; Run-D.M.C., meanwhile, played on repeat in the parking lot of his high school (note the hip-hop inflections on “A Night to Remember”). Merging these traditions, and working with a blue-collar ethic that brooked no bullshit, Grey began touring as Mofro in the late ’90s, with backbeats that crossed Steve Cropper with George Clinton and a lyrical directness that made his debut LP Blackwater (2001) a calling-card among roots-rock aficionados. Soon, he was expanding his tours beyond America and the U.K., playing ever-larger clubs and eventually massive festivals, as his fan base grew from a modest group of loyal initiates into something resembling a national coalition.

Announcing Paul Thorn – Saturday Headliner!

We are excited to announce that Paul Thorn will be headlining our Saturday night concert!

Here is some info from his latest album bio:

Paul Thorn’s latest album Too Blessed To Be Stressed stakes out new territory for the popular roots-rock songwriter and performer. “In the past, I’ve told stories that were mostly inspired by my own life,” the former prizefighter and literal son of a preacher man offers. “This time, I’ve written 10 songs that express more universal truths, and I’ve done it with a purpose: to make people feel good.”

Paul Thorn 2

Paul Thorn will bring his talents to Rendezvous in the Park July 15, 2017

Which explains numbers like the acoustic-electric charmer “Rob You of Your Joy,” where Thorn’s warm peaches-and-molasses singing dispenses advice on avoiding the pitfalls of life. The title track borrows its tag from a familiar saying among the members of the African-American Baptist churches Thorn frequented in his childhood. “I’d ask, ‘How you doin’, sister?’ And what I’d often hear back was, ‘I’m too blessed to be stressed.’” In the hands of Thorn and his faithful band, who’ve been together 20 years, the tune applies its own funky balm, interlacing a percolating drum and keyboard rhythm with the slinky guitar lines beneath his playful banter.

It helps that those big vocal hooks on Too Blessed To Be Stressed are being reinforced by the sound of Thorn’s flexible and dynamic band, as they have been doing for years in concert. During their two decades in the club, theater and festival trenches, the four-piece and their frontman have garnered a reputation for shows that ricochet from humor to poignancy to knock-out rock ’n’ roll. Guitarist Bill Hinds is the perfect, edgy foil for Thorn’s warm, laconic salt o’ the earth delivery — a veritable living library of glowing tones, sultry slide and sonic invention. Keyboardist Michael “Dr. Love” Graham displays a gift for melody that reinforces Thorn’s hooks while creating his own impact, and helps expand the group’s rhythmic force. Meanwhile drummer Jeffrey Perkins and bassist Ralph Friedrichsen are a force, propelling every tune with just the right amount of up-tempo power or deep-in-the-groove restraint.

“These guys really bring my songs to life,” says Thorn. “A lot of albums sound like they’re made by a singer with bored studio musicians. My albums sound they’re played by a real blood-and-guts band because that’s what we are. And when we get up on stage, people hear and see that.”

Our Deepest Sympathies

The Rendezvous in the Park Board wishes to extend our deepest sympathies to  the entire community, and our hearts go out to all of the family members and  friends who have been impacted by the tragic and senseless events of January 10th

The loss of our fellow Rendezvous board member and dear friend Terri Grzebielski has struck all of us hard and is a terrible and disheartening tragedy.  We cannot replace her loving friendship.

While her devotion and enthusiastic support for our festival will be keenly missed by us all – our hearts are directed even more towards the loss of a beloved friend.  We will miss her always. 

To the Rendezvous community, and extended to all who are recovering from this tragic event, we again lend our support and join you in grief.   May we come together and move forward in peace as Terri would have wanted.

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